Social Solidarity through Pop Music Essay Example | Topics and Well Written Essays - 1250 words

Social Solidarity through bolt down Music - Essay ExampleOf the many a(prenominal) artists, Bob Dylan and John Lennon exemplified the experience and in fact Jimi Hendrix had an record album titled Are You Experienced. This expressive revolution brought an audience together through a special K bond and satisfied the pop symphony listeners quest for solidarity.It is not too much to say that the mid-sixties were the root of the expressive revolution of sacred realism through music. Breaking traditional forms of fellowship music by combining folk music and rock music, Bob Dylan was one of the most influential artists of the term and together with the Beatles were able to ignite a pop music revolution. The music was powerful and was able to join listeners into a collective consciousness by just appreciating their music together. Strangers passing on the street would be bony together as friends by the acknowledgment of a familiar song. This collective solidarity gave the listener genuineness as well as a verification of a meaningful existence. This justification for ones life became the sacred authenticity that a generation was in search of.Breaking the mold and blending cuttingborn styles unresolved the provide for listeners to detach from the tired past and experiment with their own identity. For Bob Dylan, unlike many artists who pursue tho one style of music, Dylan did not stick with one genre. His music can be divided into many different genres such as folk, folk-rock, gospel, and country. Dylans early music was inspired by a famous folk singer, Woody Guthrie, who had a great influence on the young Dylan. In a Los Angeles Times interview, Dylan said, Woodys songs were close to everything at the same time. They were about rich and poor, black and white, the highs and lows of life, the contradictions between what they were teaching in school and what was in truth happening (Hilburn 2004). This indicated Dylans understanding that integration meant collective. We were all one in search of a common medium. Dylan evince current social issues through his lyrics as opposed to many traditional folk singers upper curriculum oriented music. His music was well blended with traditional instrumentation such as acoustic guitar, and harmonica. In addition, Dylan broke the stereotypical ideology that folk music cannot exist without its traditional form. By going electric at the Newport kinfolk Festival, Dylan defied the norm and explored a revolutionary act that was widely criticized as a commercial sell out. However, Dylan had opened the door to his own identity and had invited millions of listeners to join him. Those that had been categorized for decades were free to become a part of the new consciousness. As Eyerman and Jamison contend, The musician, songwriter, or composer must first learn the notation and the melodic and rhythmic procedures of the tradition in order to make music otherwise it could not be passed on. But, at the sam e time, artistic invention requires that those rules be broken, or at least amended, so that the tradition can be rejuvenated by adding something new to it (29). Dylan was able combine our cultures in a way that gave us an unspoken agreement and a soundless bond that would soon become sacred. This bond would become a large part of our new identity.In his Los Angeles Times